Monday, September 14, 2009


I added simple "orange"graphs to show the overlap example.

Pronunciation: \im-ˈplī\
  • Function: transitive verb
  • Inflected Form(s): im·pliedim·ply·ing
  • Etymology: Middle English emplien, from Anglo-French emplier to entangle — more at employ
  • Date: 14th century

1 obsolete : enfoldentwine
2 : to involve or indicate by inference, association, or necessary consequence rather than by direct statement imply obligations>
3 : to contain potentially
4 : to express indirectly implied consent>

synonyms see suggest
usage see infer

One of the things that I'm always trying to get across to friends and students is to "Imply" shapes behind other shapes. Walt used to draw a circle over a circle and call it an orange in front of an orange to describe overlap.  The drawn lines of the oranges behind the front one where inferred to exemplify body shapes or tree shapes or whatever it was behind what we drew.  The other was the mountain example which was pretty self explanatory.  I'll use the orange example for the post.
When you look at the definition of "Imply" it starts with obsolete meaning no longer in use or no longer useful. This could help, by thinking we don't need to draw what we can't see the hidden shapes within the overlap.  The second definition is about inferring and not drawing too direct.  To infer the shapes behind others.  The third we are containing the shapes behind others and the fourth is indirect expression of the shapes. HA! it all relates when you think about overlap and how we can draw the orange behind the orange!

I had to put the examples first, blogger was acting up!

Saturday, August 15, 2009

Zoo trip

I went to the zoo with Dave Derrick last week and ended up drawing more people then animals.

Dave will kill me but I forgot what these are called..."Skinny stick legged deer things?"

An odd couple
A Mother and child who didn't want to ride in the stroller
The Hat lady

Wednesday, July 29, 2009

Trajectory of a pose

The trajectory of a pose is set up in the first minute! There's something that happens as we wave the pen around the page waiting for it to contact. We are aiming! Eventually we feel comfortable putting a line down and hope that its the right one. In the onset of the drawing those lines need to have a sense of directon aiming for a target! Imagine if a there existed a magic bullet that when fired it didn't just go straight, it wiggled around and drew a line that formed our drawings. The same kind of aim a marksman may have when he fires a bullet to a target is the same kind of aim we need when we fire off a sketch, but our bullet moves around in that magical line. All too often we don't take the moment to aim and we start putting lines down that mean nothing or fight against each other on the way to that target.
Those first few structure lines are the most important because those are the ones that we are building on and they act as your scope for the rest of the drawing to follow. So all the best as you aim and fire, drawing out lines that are purposeful and hopefully.........hit a bullseye!

Friday, June 05, 2009

DRAWN TO LIFE lecture at Woodbury University


photo by Jamie Keslarian Bolio

the night was a great success and nice turn out. I thank Don Hahn and ASIFA for putting it all together. All the other panelists and artists who knew Walt, shared such great stories and it was a true testament to Walt's wonderful personality and generousity.

thanks again Walt!

On Wednesday June 10, I will be joining an amazing group of panelist for a lecture on Walt Stanchfield's "Drawn to Life" books. It starts at 7pm in the Fletcher Jones auditorium of Woodbury University in Burbank. The panelest include Andreas Deja, Dave Pruiksma, Ruben Procopio and Don hahn!

It's going to be fun talking about Walt's work and teachings followed by a "QandA" session and book signing. It's first come first serve seating and parking is free at the university.

see you there,

Thursday, April 16, 2009

Drawn to Life! The Walt Stanchfield notes!!!

The Walt Stanchfield notes are published and out!!!!!

Legendary producer Don Hahn has published Walt’s life long series of notes in two volumes entitled “Drawn to life


It’s an amazing set of books that chronicle Walts teachings just as he presented them in his classes.  There’s also examples of Walt’s own artwork in the books which can't be found in any other books or on the internet.  If you haven’t purchased them, you must immediately!

I started at the Walt Disney studios in 1995.  I was very excited to be working at the studio and couldn’t contain myself as I learned as much as I could from all the talented people working there. 

One of those people who impacted me the most was Walt Stanchfield!  He was teaching Gesture drawing once a month for three consecutive days.  I was amazed at his approach to drawing and his sheer zest for life.  It was freedom for my brain!  The pressures of all the past life drawing classes had been lifted by this one man.  He would walk around the class room looking over shoulders and digging into each students page with a wealth of experience and challenge.  His simple quick correction doodles was an enlightenment for every student in the class. 

Walt had a knack for seeing the model differently then everyone else.  He understood the forces of inertia and kinesthetics behind every body part and movement.  On top of that his keen sense of acting was always dominant as he would push us to caricature and act within our sketches.  As we tried to understand what he was teaching we were constantly caught by his swift sharpie and every line he put down had meaning to it.  Other times Walt would pat a student on the back and keep walking which meant that he liked that person's artwork and as the model would break we’d all rush to see why Walt gave that pat!  

It was the greatest learning experience I’d ever had at Disney.  Learning the techniques that Walt taught infused my mind’s approach to everything I did as I worked on the features.  I began thinking "how would Walt do it?" trying to feel the pose as I inbetweened.  I remember when I told Walt that I became an animating assistant.  He patted me on the shoulder and said “Good Job! Now let’s keep drawing!”  He knew that I would need him now more than ever!  I couldn’t have imagined going through those days without Walt’s guidance.

One of the most amazing things to see where his sketchpads.  He was constantly sketching and you never saw him without his book.  Walt was so proud of himself when he would show his sketch book to us as we fevereshly sketched in his class.  The pages where crinkled and stained with coffee for tones but every page was a masterpiece!  Everyone was in awe at how each page had something to say and attract.  The years of his experience showed through every drawing.  Boats, people in coffee shops, birds, fruit, mountains, ranches, horses, and anything you can think of was effortlessly put on the page.  All I could think of at the time was “I gotta keep drawing, if I’m ever going to be that good” which I still say to this day. 

When Walt was teaching the class he’d correct our work with a small sketch and then with look only Walt could give, he'd ask “can I have this paper?”  It was hard to part with the bad drawing because we knew that it was going to show up as a "how not to" example in “Walt’s word’s of Wisdom” his monthly studio handout.

He would always tell the artist “I'll make you famous” which always gave us a nervous laugh.  Yet Walt never embarrased anyone, he taught everyone.  He knew that his correction would be best served for all to see and learn.  The students would pour over the handouts and try to soak in what he was writing about and then apply it to their own work.  As Walt wrote about gesture sketching he also wrote about life's lessons and always sharing some truth about the world and us as human beings.  I tried saving the handouts and kept loosing them in my cluttered cubicle and eventually found out that the artist development department had copies from years past to current, and I quickly copied them all. 

Walt was an avid Tennis player and he’d always showed up with his trademark fisherman's hat, shorts and t-shirt ready to go to the local court and take on some of the students.  Many times I’d ask those who played against him if they won and they’d shyly answer “no”.   I thought it was great to see this older man in his seventies{and a cancer survivor at the time} taking on these young students and showing them a thing or two.  He lived in Solvang CA and would travel to Burbank to teach, he’d stay at the Safari Inn hotel for a couple of days or even sleep in his van in the Disney parking lot.  Occasionally myself and a few others would take Walt out to dinner and spend time with him.  He loved it!  And we’d all sit and listen to his stories of working at the studio he endearingly called “Disney’s”.

This was all up until Walt’s passing in the year 2000.  Walt left such an impression on me and I  believe he wouldn't mind when I borrowed his motto for my blog which is "Impression - Expression = Depression".  This meant draw when you get inspired!  Anything that sparked the energy in you to put it down on paper and if you didn't, you're inner artist would fall into depression.   Many teachers have come and gone but Walt has stayed, In my brain, my art, in my technique, and mostly in my heart!  I’ll always remember Walt and what he meant to me.  These new books will only reassure that everyone can have Walt's words of wisdom right in their own hands.  They are invaluable!

Thank you Walt!

Tuesday, March 10, 2009


I've been yelling out for so long "LONG LINES" to all the students in my classes. The reason is so that the lines can complete themselves out! There's something that happens when you let the lines continue and go as long as they can. All to often I catch students stopping the line and cutting short its desired destination to the land of balance and rhythm. Let the lines be long and try to lay in their paths from top to bottom. Let them live!!!

This wonderful model is "Karole Foreman"

Friday, March 06, 2009

Soccer saturdays

I've been taking my son to soccer saturdays.  It's been fun to watch him run around like a crazy kid!  The other thing is I've been away from the blogging for a while and I've come back now with a new banner as you can see.  I'm keeping the domain the same so my friends can still link to me- but my reason for the banner change is for what I've been calling "the year of reinvention!"  We all come into a new at times in our life's and today is time to make the change.  Draw! Draw! Draw!

Diego chasing the ball

A mother and child watching on.

A mother chasing after her son who got onto the field wanting to play!

Diego having a "ball."